arabian nights

Coming on the heels of the direct-to-video sequel The Return of Jafar, the series picked up where that installment left off, with Aladdin now living in the palace, engaged to beautiful and spunky Princess Jasmine. "Al" and Jasmine went together into peril among sorcerers, monsters, thieves, and more. Monkey sidekick Abu, the animated Magic Carpet, and the fast-talking, shape-shifting Genie came along to help, as did sassy, complaining parrot Iago, formerly Jafar’s pet but now an antihero.

In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.

A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.

This story is about the flow of fate and the battle to keep the world on the right path. Aladdin is a boy who has set out to explore the world after being trapped in a room for most of his life. His best friend is a flute with a djinn in it named Ugo. Soon enough, Aladdin discovers he is a Magi, a magician who chooses kings, and he was born to choose kings who will follow the righteous path, battling against those who want to destroy fate. Follow his adventures as he meets others from 1001 Arabian Nights, like Ali Baba and Sinbad, and fights to keep the balance of world in check!

Targeted for assassination by his first wife and his evil brother, a young sultan must marry by the next full moon or he will lose his kingdom. His uncertainty over his newfound bride causes her to stall the sultan with a series of fantastic stories to ease the tension and stall her impending execution.

The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.

Shazzan is an American animated television series, created by Alex Toth and produced by Hanna-Barbera Productions in 1967 for CBS. The series follows the adventures of two teenage siblings, Chuck and Nancy, traveling around a mystical Arabian world, mounted on Kaboobie the flying camel. During their journey they face several dangers, but they are always helped by Shazzan, a genie with magical powers out of this world. Shazzan is not to be confused with Shazam!, the 1970s comic book/television revival of Golden Age super hero Captain Marvel, created by C. C. Beck and Bill Parker.

Legendary secrets are revealed as Aladdin and his friends—Jasmine, Abu, Carpet and, of course, the always entertaining Genie—face all sorts of terrifying threats and make some exciting last-minute escapes pursuing the King Of Thieves and his villainous crew.

Sinbad accidentally kills the son of the powerful Lord Akbari in a fist fight. As recompense for the blood debt, Sinbad's brother is killed in front of his eyes. Sinbad escapes, but his grandmother uses a magic talisman to curse him for the death of his brother. The curse prevents Sinbad from staying on land for more than one day; if he tarries the talisman will choke him to death. This prohibition against remaining on land leads to a life of adventure at sea that holds many wonders. Sinbad is unaware that he is still being hunted by Lord Akbari, who does not consider Sinbad's brother's death as sufficient payment of the blood debt.

1001 Nights features Shahrzad, a storyteller, in a Persian court with her sister Donyazad, King Shahryar, Prince Shahzaman and a playful monkey named Maymoon.

When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.

Arabian Knights is an animated segment of The Banana Splits Adventure Hour, created by Hanna-Barbera Productions. The series is based on Arabian Nights, a classic work of Middle Eastern literature.

Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile, Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.

Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.

The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

An evil caliph offers his daughter’s hand in marriage to a prince if he can complete a perilous quest for a magical rose. Helped by a young boy and a magic carpet, Prince Hasan has to overcome genies, fire-breathing monsters, and treacherous swamps to reach his prize and claim the hand of the Princess Zuleira.

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

Orphaned as a young child and adopted by a band of notorious thieves, now-grown Ali Baba sets out to avenge his father’s murder, reclaim the royal throne, and rescue his beloved Amara from the iron fist of his treacherous enemy.

Two half brothers battle each other for the power of the throne and the love of sensual, gorgeous dancing girl Scheherazade.

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.

Sinbad returns from the sea to find his country subjected to the will of two unscrupulous sorcerers.

A lord’s servant, Ali Baba, is sent to retrieve a slave for his master, but ends up on an adventure filled with gold, mischief, love, and forty famous thieves instead.

After completing his voyages Sindbad the Sailor and his hearty crew have come home to find a palace coup d'etat has occurred and his home city is being run by a brutal dictator played by Pedro Armendariz. He's got designs on the beautiful young princess, Heidi Bruhl both lustful and political.

In ancient Persia the son of Ali Baba (of forty thieves fame), Kashma Baba is a military cadet by day and a party goer by night. He falls for a girl who he later finds is an escaped slave girl belonging to the wicked Caliph. They flee to his father's palace. But alas, there's more to her than meets the eye. Will the evil schemers succeed? The sons of the Forty Thieves to the rescue!

Taken from The Arabian Nights, a wicked sorcerer and the beautiful prince Achmed battle one against the other during a series of wondrous adventures.

Cole Porter's version of the story of Aladdin--his only musical written especially for television.

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells King Shahryar her stories but these are not those in the book. As in the book, these stories are tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events.